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Programming is like sex; one mistake, and you’ll support it forever

Ummm, yea.

FIGHT!

1 comment
< Frowardd> WHO DARES CHALLENGE ME
< andy_> I DARE
< Frowardd> IN A GAME OF MAN ON MAN COCKFIGHT
< RedTea> eww.
< andy_> UNZIP, YE COWARD
< Frowardd> I THRUST AT THEE
< Tattoo> IMHO
< andy_> I PARRY VALIANTLY
< Frowardd> THY FOOTWORK IS CUNNING
< andy_> THY MEMBER IS MIGHTY
* Tattoo COMMENTS: YOU FIGHT LIKE A DAIRY FARMER
< Bucket> How appropriate, you fight like a cow.
< andy_> I MAKE A GREAT LEAP
< Frowardd> I CANST NOT STRIKE..SO MIGHTY A FOE
< andy_> AND RUN YOU THROUGH
< Frowardd> TO DESTROY THEE WOULD LIKE KILLING A GOD
-!- Tattoo is now known as CROWD
* CROWD GOES OOOOOOOOOOH!
* CROWD GOES WILD
< Frowardd> THOU MUST STAND STALWART AND BE A BASTION FOR FUTURE GENERATIONS
< andy_> I STAND JAUNTILY
< Frowardd> I AM HUMBLED
* CROWD APPLAUDES
-!- CROWD is now known as Tattoo
* Frowardd turns his back to ANDY and bends at the waist to expose his HONOR
< andy_> THANK YOU, THANK YOU, I CAN BE REACHED AT JIMMY'S HOUSE OF GIGOLOS
< andy_> ARE THERE ANY CHALLENGERS TO THE CHAMPEEN?
* Frowardd collapses in a corner of the arena and CRIES MANFULLY

Sometimes things strike me as very funny. Listen as this guy describes his sound mangling technique (emphasis mine):

Two really screwed up radio-shack stereo mixing consoles from like the early 90s plugged back into themselves and a Yamaha 4-track to create very dynamic self-pollinating feedback controllable by tweaking knobs and sliders on the mixers. Simple analog EQs on the 4-track yield fantastic pitch-shifting insanity. A cassette tape loop in the 4-track allows me to capture and layer 4 second loops of what I am playing in realtime on 4 separate tape channels and play them back, along with the live feedback, with some speed control. I usually also plug in a microphone into which I scream and/or play trumpet.

I’ve decided the name of my next band will be “Into Which I Scream (and/or Play Trumpet).” lulz

Josh