Programming is like sex; one mistake, and you’ll support it forever
Ummm, yea.
Programming is like sex; one mistake, and you’ll support it forever
Ummm, yea.
< Frowardd> WHO DARES CHALLENGE ME < andy_> I DARE < Frowardd> IN A GAME OF MAN ON MAN COCKFIGHT < RedTea> eww. < andy_> UNZIP, YE COWARD < Frowardd> I THRUST AT THEE < Tattoo> IMHO < andy_> I PARRY VALIANTLY < Frowardd> THY FOOTWORK IS CUNNING < andy_> THY MEMBER IS MIGHTY * Tattoo COMMENTS: YOU FIGHT LIKE A DAIRY FARMER < Bucket> How appropriate, you fight like a cow. < andy_> I MAKE A GREAT LEAP < Frowardd> I CANST NOT STRIKE..SO MIGHTY A FOE < andy_> AND RUN YOU THROUGH < Frowardd> TO DESTROY THEE WOULD LIKE KILLING A GOD -!- Tattoo is now known as CROWD * CROWD GOES OOOOOOOOOOH! * CROWD GOES WILD < Frowardd> THOU MUST STAND STALWART AND BE A BASTION FOR FUTURE GENERATIONS < andy_> I STAND JAUNTILY < Frowardd> I AM HUMBLED * CROWD APPLAUDES -!- CROWD is now known as Tattoo * Frowardd turns his back to ANDY and bends at the waist to expose his HONOR < andy_> THANK YOU, THANK YOU, I CAN BE REACHED AT JIMMY'S HOUSE OF GIGOLOS < andy_> ARE THERE ANY CHALLENGERS TO THE CHAMPEEN? * Frowardd collapses in a corner of the arena and CRIES MANFULLY
Sometimes things strike me as very funny. Listen as this guy describes his sound mangling technique (emphasis mine):
Two really screwed up radio-shack stereo mixing consoles from like the early 90s plugged back into themselves and a Yamaha 4-track to create very dynamic self-pollinating feedback controllable by tweaking knobs and sliders on the mixers. Simple analog EQs on the 4-track yield fantastic pitch-shifting insanity. A cassette tape loop in the 4-track allows me to capture and layer 4 second loops of what I am playing in realtime on 4 separate tape channels and play them back, along with the live feedback, with some speed control. I usually also plug in a microphone into which I scream and/or play trumpet.
I’ve decided the name of my next band will be “Into Which I Scream (and/or Play Trumpet).” lulz
Josh